Evan Dorkin ([info]evandorkin) wrote,
@ 2006-12-21 02:48:00
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Current mood:What do you think?
Current music:What do you care?

What Do You Wanna Talk About?
I can't seem to generate much energy for anything as of late, let alone the journal. It's not your fault, oh, no, you folks have been swell. I'm just feeling overwhelmed by the holidays, family stuff, recent house troubles, piled-on deadlines, and increasing problems with my hand and shoulder that will likely send me to the doctor to finally get that MRI I was supposed to schedule several years ago. That's what health coverage is for, right? So why not use it. I dunno. I keep meaning to follow up, but I also keep meaning to floss, go back to the gym, and finish Milk and Cheese #8.

Speaking of "I dunno", I dunno what to discuss here lately. The world situation is depressing and I feel anything I have to say is naive and pointless, if not imbecilic. I feel woefully out of step with my chosen field these days. I don't pay much attention to modern pop culture. I stopped watching wrestling after Eddie Guerrero died and haven't really ever gone back save for a stray hour or two of TNA and Raw. I keep wanting to talk about the tragedy that is Kurt Angle, but like most things, no energy, not enough information, and sleep beckons. I haven't seen a new film in the theater in years, have only seen perhaps five or six modern/recent films in the past year or two, most of which were asian martial arts movies. I haven't watched a television cartoon show in years. All I've watched recently are several Carole Lombard movies on TCM, some subtitled Japanese dramas, Gordon Ramsey cooking shows, and the first four episodes of the first season of the revamped Dr. Who. Not a lot to go on. Music-wise...hmmm. Hear that sound? No, you don't, because I'm not listening to anything, really. Anything I do hear on WFMU flits way from my ears and brain as soon as the song ends. Nothing sticks. I think I liked a band called Boy Skout on FMU a few weeks ago. I forget. No help there.

Comics? The few I've been picking up are mostly sitting around unread, and I haven't the time to get into anything I've read anyway. Dick Tracy, Popeye, Walt and Skeezix, Moomin, all well and good, no time to say why, or list any complaints. Did get some FBI Prince Valiants cheap off e-bay, won't read them until the series is completed, and we can't complete it because some of our missing volumes go for extraordinary amounts on e-bay. So, perhaps when we're in the old cartoonist's home (ie, a refrigerator box), we'll get to those in lieu of buying cat food to eat. I also won some old paperback gag collections cheap off le e-bay, 8 books for about a buck a throw. Some Esquire and True collections, w/Virgil Partch, Chon Day, Ketcham, decent stuff all around.

But jeez, too many comic BOOKS, too little time, not enough moolah. I want the Dupey and Berberian books, there's some horror manga I've wanted to check out (I did get the first Drifting Classroom this week), the McCay releases from Checker, the last year or so of Little Lulu paperbacks, Gilbert Hernandez' Sloth GN, the FBI reprint of Nightmares and Daydreams or whatever it was called, Ode to Kirihito, the new Dennis the menace volume, Alison Bechdel's book, the Disney comics hardcover collection, that last Maakies book (I overcame my adversity to Maakies several years ago) and a few dozen other things I want or am curious about like the last Kramer's Ergot, any issues of Mome, Curses, Billy Hazlenuts, the Carol Tyler collection, blah blah blah. I don't even have Acme #17 or Tales Designed to Thrizzle #3. WTF? Or the last Cromartie High School. WTFF? And I'm super-curious about the Absolute New Frontier. I like Darwyn Cooke's art, haven't sampled a ton of his writing, but I wouldn't kick this nifty-looking comic book monster off of my shelf if someone slipped it in there. Man I want so many comics these days, it's ridiculous. I don't want to make them, I just want to read them. Where can I get that job? It can't pay much less than we're making.

Toys. Oh, toys. I don't really buy toys anymore, but I have to try to get my hands on the new Jim Woodring vinyl, Mr Bumpers. I have everything he's designed for vinyl so far, including the life-size Pupshaw (my last "stupid" purchase before going more or less cold turkey), and I, like, kinda need this one, because he's, like, kinda awesome, and I'm, like, kinda a geek-a-nerd. I like toys. So sue me.

Hey, presto. I sort of talked about some stuff. Well, actually, I really just made a whiny list. So. What should I talk about? What do you want to talk about? Got any questions you couldn't fit into prior conversations about falling plaster and broken glass? Feel free to bring it up, I'm rudderless without you.



(Post a new comment)


[info]ronthered
2006-12-21 09:25 am UTC (link)
I coud ask a question you must be sick of answering... any chance for a return to Hectic Planet? I love all the stuff you do, but it was "Pirate Corp$!" that started my love for all things Dork.

(Reply to this) (Thread)


[info]evandorkin
2006-12-21 05:57 pm UTC (link)
There is always a chance of Hectic Planet coming back in some way, shape or form. I will never have the opportunity to get back to it full-time, but I'm thinking that sometime in the future I could at least think about doing a series of short stories, rather than attempting to do entire comics. Sort of like the last HP stories done for Dark Horse Presents and reprinted as The Bummer Trilogy. I miss writing character dialogue rather than gag set-ups and I miss just having a story to tell. Who knows.

(Reply to this) (Parent)(Thread)(Expand)

(no subject) - (Anonymous), 2006-12-21 08:57 pm UTC (Expand)
(no subject) - [info]evandorkin, 2006-12-22 12:09 am UTC (Expand)
Don't sweat the technique.
[info]trooper221
2006-12-21 09:47 am UTC (link)
Not every one on here is just a comic fanboy -- we also have families, hobbies, neuroses and foibles.

I mean, I found you via 2sixteen and borrowing his Hectic Planet collection, but other than that, you're an LJ friend out in the ether.

Check out the top of the page, bro -- this is your journal. Don't feel any compulsion to satisfy an audience. We all like the comments, yeah, but that's not what this is about. It's about (for me, anyway) having a safety valve, a place I can ramble and get all the static out of my brain and ease the pressure on the cranium so I can think straight.

While you have certainly entertained me, I don't think you owe it to me or any other LJer to keep us updated on the minutia of the comics industry, that is, unless that's what you want to write about.

Write about whatever you want -- I promise you that it'll get read. Rant about how the paper boy keeps throwing the paper into the puddles, or how no matter how well you plan it, no road trip goes as planned.

That said, I think it's awesome that you take the time out to answer questions and such. But don't feel pressured to do anything on here unless you want to.

Cheers.

(Reply to this) (Thread)

Re: Don't sweat the technique.
[info]evandorkin
2006-12-21 05:59 pm UTC (link)
I sweat ordering at a diner. It's true, ask Sarah, I'm always last and always pressured, there's a good indication of where my head is at. But thanks, I understand what you're saying. Won't help, but I appreciate it.

(Reply to this) (Parent)


[info]radiotoothhurty
2006-12-21 10:13 am UTC (link)
More advice than a question.

It's about replacing a felt roof.

My advice is this. Whan your plaster falls in, whatever you do don't look in the reader's digest book of DIY under 'replacing a felt roof'. It covers it in TWO PAGES and makes you think to yourself 'how hard can it be?'. I can't believe it's legal to sell books where re-wiring a house is covered in eight panels over a page and a half.

So don't go and buy about five rolls of roofing felt and drum of roofing adhesive the size of a timpani and then over a bank holiday weekend decide that you can do the job of a qualified roofer.

If you do, you may not have a ladder so you might improvise, for example you might keep climbing out of your bedroom window maiming yourself each time you do and use your wheelie bin (a dustbin (trashcan) we have in the uk with two unstable wheels on - My friend, a nurse, said that a patient ruptured their spleen falling off one while doing some DIY - I found htis out after) as a 'ladder' to get down off the roof. You'll spend two days manhandling huge rolls of felt onto the roof, spreading the adhesive too thin (over your old dirty roof - lets face it you're using a bin as a ladder, you're not going to take the old roof off like the book says) and when you finally stand back to check out your work...

It will begin rain for five days. The rain will get through the adhesive and felt and pour through your ceiling cacvity until you have to beg a roofer to sort it out. That roofer will laugh at you. And charge you more to remove two layers of felt before doing what took you a weekend in about half a day.

Oh and did you write the space Ghost clip with the Ramones that is on either End of the Century or RAW? That clip RULES!

(Reply to this) (Thread)


[info]evandorkin
2006-12-21 06:45 pm UTC (link)
This post sapped whatever little remaining energy I had set aside for today. Ugggh...

And no, we didn't write that clip.

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[info]finback
2006-12-21 10:24 am UTC (link)
I've been in a similar boat lately, in that none of my hobbies really seem to interest me lately, I feel directionless since completing my diploma.. but hey, it'll pass.

And you shouldn't have to feel you're here to entertain us monkeys. We appreciate you regardless of whether you're posting OMG NEW AWESOME COMICS, or OH GOD MY ROOF. How many other artists out there are really so open and forthcoming about what they consider their mundane life?

That said, um, let's talk about... ok, what one prehistoric animal would you choose to clone and return to the wild?

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[info]evandorkin
2006-12-21 06:43 pm UTC (link)
There's mundane and there's fucking mundane. I don't post when it's fucking mundane. Ditto doing autobio strips.

And the answer to your question...probably, hmmm...the Ankylosaurus. My favorite dinosaur as a kid. Maybe. I can't decide. See? Pressure. Maybe the Triceratops. Pteranodons would make a lovely mess of things. I dunno. Mammoths?

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[info]craigjclark
2006-12-21 10:27 am UTC (link)
Things I want to hear about:

Welcome to Eltingville -- Why didn't it happen? You had strong characters, a great world for them to inhabit, a funny pilot episode and a theme song by The Aquabats! What more could you need?

Space Ghost Coast to Coast -- It's my favorite show of all time and you (and Sarah) wrote some of my favorite episodes of all time. Any stories you could share about your time writing for that show would be more than welcome. (I've long figured it was your idea to interview celebrity chefs for a cook-off contest and interview bug experts for a salute to Zorak -- just to name a couple examples -- but the work that had to go into making those things happen must have been extraordinary.)

Tyrone's Inferno -- I expect you have to keep a lot of things close to the vest with this project since it's in development, but how did it get to this point?

I could fill a space just as long with questions about your comics work, but I think this is good enough for now.

(Reply to this) (Thread)(Expand)


[info]normanrafferty
2006-12-21 02:48 pm UTC (link)
An autobiographical issue of Dork talked about how TV wasn't just run by happy little elves -- that there was a cut-throat business behind all of it, and (like most things in life) it wasn't pretty. To address [info]craigjclark's comment, I'm 90% sure that Eltingville got passed because Perfect Hair Forever cost something like 10% as much per episode (e.g., the voice talent was culled from the marketing offices!), so even if it made 11% as much money as Eltingville -- it was still showing a profit.

Lately I've been enamored of Pandora, which allows you to enter your music preferences, and then it suggests new music based on your choices. (I had no idea there was so much good psychedelic music!) It also has a "Backstage" feature, where you can look up info on the artist or album you're listening to. Armed with Google, you can then look around a bit more to find home pages and Myspaces for these bands.

I'm often surprised by just how many bands never broke up and that are still touring or releasing new material, somewhere. And then there's the sell-outs: Devo, Art of Noise, The Police, Information Society -- talented musicians who got day jobs making background music for prime-time or kids' shows, for a regular paycheck instead of the uncertainty of "6 flyers, 5 shows, 1 album, 18 songs". Interviews with these folks often reveals that they actually would be happier making new albums, but there simply isn't the commercial demand to support it all, full-time. And now these folks have bills to pay.

Scott McCloud's Reinventing Comics lamented that a lot of really cool ideas might never get fully realized because of barriers of commerce. It's a shame to say it, but it's true.

I've especially enjoyed Dork when it ventures into this territory of "artist vs. capitalist", of what needs to be done vs. what has to be done.

Oh, wait, we were supposed to ask what to talk about... Your Esquire book? Have you ever seen "Esquire's Book of Humor" from the 1960s? It has, of all things, a parody of MAD Magazine doing a parody of Fritz's Lang "M", as well as an essay of "What's In and What's Out" that is still surprisingly accurate today. I hope that's in your book, too.

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(no subject) - [info]craigjclark, 2006-12-21 04:06 pm UTC (Expand)
(no subject) - [info]evandorkin, 2006-12-22 12:20 am UTC (Expand)
(no subject) - [info]craigjclark, 2006-12-22 06:38 am UTC (Expand)
The important question!
[info]akiramich
2006-12-21 03:13 pm UTC (link)
Why does Gordon keep losing the pudding challenge every week on 'The F Word'? I can see him losing to his mum, but how does he lose every single week to the other chefs? Some of those desserts look really suspicious.

Do you think than Jean Michelle is sabotaging Gordon's puddings before he serves them to the judges? Maybe he is springling salt or something in them. Do you feel he harbours some hidden judge against Gordon?

Also if you and Sarah decided to raise turkeys in your backyard to buthcer for Christmas lunch, and you named them after comic book folks, what names would you give them???

(Reply to this) (Thread)

Re: The important question!
[info]jinjur
2006-12-21 03:33 pm UTC (link)
Seriously! Once or twice I've thought his might be a little too...foofy for lack of a good technical term. But usually I think he should have won by a mile. Evan thinks that when it comes to desserts, people really like home-made, comfort-y stuff, not fancy stuff. Me, if I'm going to pay for a dessert somewhere I want it to be something I wouldn't make. But I think he might be right. We're a few episodes behind right now - does he really keep losing?!

Maybe it is sabotage -- payback from Jean-Michel for making him eat that nasty fish-duck thing on camera (seeing the suave Jean-Michel actually spit that stuff out and throw it under the table just about made me cry laughing).

(Reply to this) (Parent)(Thread)(Expand)

Re: The important question! - [info]akiramich, 2006-12-21 03:46 pm UTC (Expand)
Re: The important question! - [info]jinjur, 2006-12-21 03:53 pm UTC (Expand)
Re: The important question! - [info]akiramich, 2006-12-21 04:30 pm UTC (Expand)
Re: The important question! - [info]evandorkin, 2006-12-22 02:50 am UTC (Expand)

[info]tormentedartist
2006-12-21 04:20 pm UTC (link)
I like Darwyn Cooke's art

I'm amazed ! You like a mainstream guy !

One thing that I think would be cool is if you posted some art, and then wrote a bit about how you came up with the piece. etc.etc.

(Reply to this) (Thread)


[info]evandorkin
2006-12-21 07:01 pm UTC (link)
I'd like to post art, and perhaps comment on it, but that's a lot of work for me, relatively. And I'm stuffed to the gills with deadlines, so that will have to wait. I don't even have time to dig up stuff for the "failures in freelancing" posts I was doing for a while. And that's largely find and cut and paste and comment.

I like scores of mainstream artists, perhaps more. Well, that takes into account older mainstream folks. God, I hate the term "mainstream" in this context, it's so fucking moronic. Anyway, I find a lot of today's mainstream artists to be technically sound but dull as dishwater. And the preoccupation with bad-ass single-figure poster imagery and the endless parade of anorexic top-heavy women and all, pretty numbing at this point. I like cartooning, not photoshopped "realism". And I hate all the lazy thin-line bastards who noodle around and then bring in a harried colorist to flesh it all out. All that airbrushing and shit makes half the characters look like they're made of graying chipped beef and meatloaf. No oomph, no weight, no gravity, no sense of place or being there in the moment, just pictures saturated with ugly shadows. Not for me.


I like Cooke's art, I like all the cleaner, cartoonier, solid professionals who know what they're doing. I appreciate anyone who transfers their enthusiasm and professionalism to the page and looks like they spend time on the storytelling, there's clear choices on the page, the asrt guides and supports the script, even if its silly shit, it accompanies and sells the material. It's not a series of fanzine pin-ups culled from porn sites aping the hot cartoonist from three years ago. I wish I could incorporate the kind of expressive line and bolstering weight someone like Cooke brings to their work, my stuff is stagnant and flat in comparison. I don't have the chops or confidence. Lighting sucks, composition second rate, anatomy fucked.

That being said, I also like guys like Kevin Nowlan, Brian Bolland, people who can just draw anything and light it and make it seem effortless, although it probably isn't. I like a lot of folks art who work primarily on the capes anc cowls, I just don't buy any of it. Can't stand modern mainstream stuff for the writing, and I'm many years past the point where I bought anything just for the art (save for several European artists I follow like Yves Chaland).

I have a lot of mainstream books on my shelves and in my collection, mainly Golden/Silver Age reprints and the like, with a lot of Kirby. I like superheroes when they're fun, inventive, splashy, trashy and unpretentious.
Keep the rapes, I'll take the capes.

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(no subject) - [info]evandorkin, 2006-12-21 07:04 pm UTC (Expand)
(no subject) - [info]leroy_spectre, 2006-12-21 10:26 pm UTC (Expand)
(no subject) - [info]evandorkin, 2006-12-22 03:55 am UTC (Expand)
(no subject) - [info]leroy_spectre, 2006-12-24 02:11 am UTC (Expand)
(no subject) - [info]tormentedartist, 2006-12-21 08:00 pm UTC (Expand)

[info]frankenchris
2006-12-21 04:21 pm UTC (link)
I'm interested in how you met Sarah. I'm not sure if that's already been mentioned in a dozen interviews or not.

I'm also interested in your collaberation process. How it works. How do you work through ideas, play off each other and decide on which jokes definitely work, and which can be cut. And how you keep it from getting too tense.

I'm not sure if it'd be easier or more difficult than just working with a writing partner you're fairly acquainted with or not, but I know the Mr. Show, Kids in the Hall, and Monty Python guys respectively used to just completely tear into each other over pretty insignificant disagreemtns.

I hope neither of this pseudo-questions are prying.

(Reply to this) (Thread)


[info]evandorkin
2006-12-22 03:08 am UTC (link)
How I met Sarah may have been mentioned here or there, but I don't feel like getting into it right now. No offense. If it's alright with Sarah I could go over it elsewhere. See, the thing is, we met in prison, and she's very uptight about the whole thing.

The way we collaborate: Depends. Sometimes I have an idea that needs her help. Sometimes we talk and something pops. We tend to do all our animation gigs together, our abilities complement one another when writing those kinds of scripts.

Any job I do, Sarah's likely had some input, or advice, or has at least heard me out about my plans and anxieties on a project and then tells me to go ahead and do it and stop talking about it already. I tend not to get involved in her projects, she doesn't generally need me. Sometimes I hear her out when she has a problem or gets blocked on something. She and I plotted the Book of Monsters story together after a series of conversations in the car running errands, she came up with the basic idea for the Krusty Hannukah story we wrote, she got us the Skeleton Key bible gig after coming up with the key to fixing the story and logic problems they were having. Sometimes it's very organic, sometimes it's just two cents. It varies. On the Roger story for Hellboy: Weird Tales I started freaking out working on the dialogue and she helped me out with it. And then of course any color gig we do passes through her hands.

On something like Shin Chan we take turns on passes building on what came before as we go, Sarah does a lot of the editing, I do a lot of the overwriting, we toss it back and forth and then do a final pass or two together to finish it up.

Things get less tense nowadays when we do something together because I'm less fucked up and annoying. But I still drive her up a wall, I'm not the easiest person to deal with, especially when I'm anxious about how something is turning out. Which is every step of the way and all the fucking time. I do drive her up a wall with a lot of the coloring jobs I hand her, I generally don't understand working for color and the detail and my WTF composition often makes her want to kill me. But I don't think she gets the urge to brain me with a rolling pin as often as she used to.

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(no subject) - [info]frankenchris, 2006-12-22 04:36 am UTC (Expand)
(no subject) - [info]evandorkin, 2006-12-22 05:05 am UTC (Expand)
(no subject) - [info]frankenchris, 2006-12-23 07:45 am UTC (Expand)

[info]chevychevy
2006-12-21 06:05 pm UTC (link)
i doubt this'll help, but when i don't particularly find any new cool music i always go back to rap & krautrock. the repetition in the music & the meaningless (to me, at least) lyrics are just as easy to ignore as enjoy. yay!

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[info]evandorkin
2006-12-22 03:15 am UTC (link)
Rap doesn't make me laugh enough and Krautrock makes me laugh too much.

Actually, Krautrock in any real quantity makes me crazy. And I've pretty much avoided all rap music for a long time now. Hell, I'm avoiding most everything now. Everything's gone all bad-ass; rap, movies, comics, wrestling, video games, magazines -- even pinball tried it (the pretty sad Playboy pin) -- and for all the huffing and puffing and posturing it all seems pretty sad-ass. Color me unimpressed.

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(no subject) - [info]craigjclark, 2006-12-22 08:46 am UTC (Expand)
(no subject) - [info]chevychevy, 2006-12-23 06:41 am UTC (Expand)
MOME and other books
[info]nutfarmer
2006-12-21 07:26 pm UTC (link)
Hey, I own a comic shop, as I left a comment maybe a year or two ago saying such. Lately I've been with the hate for LJ, so I dared not get near it. Anyway, we have some old MOME's sitting around, we could work out a trade, as I am a fanboy at heart, on the cheap, like just work of yours and what not. Being said owner, I don't even make minimum wage, and I know how being broke for stuff you want feels. Anyway, so that you know, we sold out of Dork #11, and I haven't seen another reorder in a while... But I'm out here pushin' for ya! Take care, and although I don't know your tastes per say, I've been passing my days listening to Firewater, Boris the Sprinkler, and Dead Milkmen. Hope this helps. later.

(Reply to this) (Thread)

Re: MOME and other books
[info]evandorkin
2006-12-22 03:16 am UTC (link)
Appreciate your ordering #11, SLG still has it and I'm sure Diamond can reorder it. I don't even know how that works anymore, cripes. I know retailing's tough, did it for justa bout 6 years, with time off for bad behavior.

E-mail me after the holidays about a trade, if that's okay, and we'll see what there is to see. Evandorkin at gmail dot com. Thanks again.

(Reply to this) (Parent)

I have a question...
[info]cerebud
2006-12-21 08:02 pm UTC (link)
Back in February you said the Milk and Cheese vinyl figures were supposed to come out around July. Are they still on? I did a quick search on the net and can't find out anything about them.

Surf Mummy looks pretty cool too. I would love to spend my cashola on it, but it's a little tight around here. Any chance this sort of thing is going to be mass produced? (They all look cool. I'd never heard of a munny before.)

(Reply to this) (Thread)

Re: I have a question...
[info]evandorkin
2006-12-22 12:54 am UTC (link)
1) See below. Indy toys rarely seem to make their release dates, sad to say. Worse than comics. This time, though, it's not my fault. We had to switch factories and all sorts of unforseen stuff comes into play. They will hopefully come out before M&C #8, because that shipping date would be DOOMSDAY.

2) No Surf Mummy Munny toys in the works. No Surf Mummy toy in the works. Anyone interested with a toy concern, feel free to drop us a note. We like making toy.

(Reply to this) (Parent)


[info]jackolantern
2006-12-21 08:58 pm UTC (link)
I'm repeatedly astounded by the sheer amounts of pop culture that other people seem capable of keeping up with. All the TV shows, most of which I haven't even seen; movies; games; even blogs--click on someone's name sometime, and then look at their Friends page (and realize that you may not be seeing most of the LJ entries, if they're friends-locked). I've stopped joking with younger people about having had an "Abe Lincoln childhood" (broadcast-only television, no videos, no computer networks, paper route, &c., &c.) because it's not funny anymore.

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[info]leroy_spectre
2006-12-21 10:30 pm UTC (link)
I had aome silly questions.

1)How do you feel about Amaze Ink/Slave Labor publishing Disney comics?

2)what's going on with the Milk&Cheese figures?

3)Were you ever approached to contribute a strip for the Ramones box set that came out last year?

(Reply to this) (Thread)


[info]evandorkin
2006-12-22 12:49 am UTC (link)
1) I wish they sold better.

2) We just received a set of vinyl prototypes to look over. There are some engineering issues and some color issues and other things that need to be addressed. On the whole I'm cautiously optomistic. Sort of.

3) No, dammit. I really wished someone working on that liked my stuff and dropped me a line, I would have loved to have done soemthing for it. And a few dozen other projects that have had comic creators in it. I rarely get invited to any of the cool comic book parties.

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(no subject) - [info]leroy_spectre, 2006-12-24 02:05 am UTC (Expand)
how can i get funny...er
[info]psy_man
2006-12-22 07:56 am UTC (link)
so i'm pretty sure i want to write comedy for a living, and as someone who inspired me to be poor, i was hoping you could possibly give me some advice about how to write funnier material. is it a lot of trial and error, is it just something your born with, or does it take a lot of time and energy critiquing yourself to a point where you have enough confidence to convince yourself other people will enjoy it?

also, do you recommend living in NYC?

(Reply to this) (Thread)

Re: how can i get funny...er
[info]evandorkin
2006-12-22 04:42 pm UTC (link)
I've never studied comedy, which many might consider a straight line. Thyat being said, I do think, like many things, you have to be born with an aptitude, or at least, these days, an attitude, for it. I probably studied through osmosis, as many do, through countless hours of television, movies, reading, etc. There is a structure to humor writing, much of it shared with dramatic writing, knowing how beats and timing works, that can be developed through practice and observation. A lot of it is second nature, the brain just makes it happen for some reason. You think in terms of the joke, or the humorous possibilities of a situation or bit of news, and the mind takes a few swings at it. It's not an exact science, and worse yet, the receiver of your purported humor doesn't have the exact same cable connectors as your brain does, so what you think is funny isn't always going to be taken as such. It's a crapshoot most every time. I dunno. Don't think. Feel. Listen to Bruce Lee. He might be right on this one.

I recommend living in NYC only for the very young and hungry or the very well off. Gather round all ye hipsters, wannabes, experience-seekers, real estate developers, hustlers and trust fund children of much leisure, but so much more angst. As far as comics go, I dunno if anyone really needs to be here, not with broadband and websites and scanners and fed ex and whatnot. If you want more bars, more people around you, more museums, more taxes and the like, by all means, hop the next bus. I'm not as enamored of the place as I once was. It's a great town but doesn't serve my needs anymore, and the development is sort of depressing to me. Manhattan's turning into (is?) a big mall with added cultural exhibits and offices, the same McDonalds, Quiznos and Gaps as anywhere else. Maybe it's always been that way and I'm naive about it all, you read accounts of the eats village from the 1900's talking about it being a false bohemia. I guess it's always been the case, really. The only change I've welcomed is the emergence of a sort of Little Tokyo in the east village, amongst the oppressive condos, Gold's Gyms, Quiznos and Starbucks. It's probably awesome for anyone young, like it was for me in the 80's, but there certainly were more show venues and a feeling things were happening. But they're still happening, I guess. And it's not like I loved the piss and crack vials all over the place. But the mall feel...brrr. Chilling.

I'm off topic. Sorry. I have no answers for important life questions like that. I'm no one's advisor. Do what you will.

Personally, it's not doing much for me these days, and it's a bloody expensive place to have a shut-in, hermit-like freelance career. And a baby, to boot. Where's my trust fund, I ask you?

(Reply to this) (Parent)(Thread)(Expand)

Re: how can i get funny...er - (Anonymous), 2006-12-22 05:45 pm UTC (Expand)
Re: how can i get funny...er - [info]evandorkin, 2006-12-23 02:13 am UTC (Expand)
Re: how can i get funny...er - [info]evandorkin, 2006-12-23 02:14 am UTC (Expand)

[info]fpod
2006-12-22 12:45 pm UTC (link)
How are your cats doing?

(Reply to this) (Thread)


[info]evandorkin
2006-12-22 04:22 pm UTC (link)
They're fine, when not in terror of an over-enthusiastic baby.

(Reply to this) (Parent)

Who can help me with .httpaccess ?
(Anonymous)
2007-02-04 11:22 pm UTC (link)
Who can help me with .httpaccess ?
where i can fined full information about .httpaccess file syntaxis?

(Reply to this)

lg mobile blog
(Anonymous)
2007-02-18 05:06 am UTC (link)
MESSAGE

(Reply to this)

300 Spartans movie
(Anonymous)
2007-03-29 04:45 pm UTC (link)
300 is a great movie full of visual effects and graphics which made it different and much better.
Acting was great, director did a wonderful job and chose great actors, full of action, and it is based on a true story.

(Reply to this)

300 Spartans movie
(Anonymous)
2007-03-29 06:39 pm UTC (link)
300 is a great movie full of visual effects and graphics which made it different and much better.
Acting was great, director did a wonderful job and chose great actors, full of action, and it is based on a true story.

(Reply to this)

Melt away pounds with Anatrim
(Anonymous)
2007-04-13 05:00 pm UTC (link)
Here's that fat loss pill site you asked about, the one I told you with the amazing Anatrim pills. Hey- if they're good enough for Oprah, then they must be good enough for us lol ;)

Check the site out and let me know later how they work for you, hope you lose as many pounds as I did! :)

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(Reply to this)

how do you think movie good?
(Anonymous)
2007-06-02 10:46 pm UTC (link)
Tramadol is a Pain killer abused by many, Huraaa for being a pharmacy student.an effective pain reliever (analgesic). Its mode of action resembles that of narcotics, but it has significantly less potential for abuse and addiction than the narcotics.


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Tramadol is a Pain killer abused by many, Huraaa for being a pharmacy student.

(Reply to this)

let the debate zdelaem How do you think movie good?
(Anonymous)
2007-06-05 03:25 am UTC (link)
Tramadol is a Pain killer abused by many, Huraaa for being a pharmacy student.an effective pain reliever (analgesic). Its mode of action resembles that of narcotics, but it has significantly less potential for abuse and addiction than the narcotics.


http://tramadolcom.info





















Tramadol is a Pain killer abused by many, Huraaa for being a pharmacy student.

(Reply to this)

Hello from Janek Makowski
(Anonymous)
2007-07-31 04:40 am UTC (link)
I'd like to say hello to all people on this board.

Regards,
Janek

(Reply to this)


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